Colin Hume's Circle Dances

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The Ely Waltz       

Format: Circle.     Dance: Colin Hume, 2006.         Music: 32 bar waltzes

A1:	Circle left.  Circle right.
A2:	Right-hand turn partner (3 bars), move on passing right shoulder.  Left-hand turn the next, move on passing left shoulder.
B1:	Give right to number 3: balance forward and back; box the gnat.  Balance again; do a wide Petronella turn single so men have backs to centre, ladies are on the outside facing this partner, flowing into…
B2:	Do-si-do new partner.  Waltz around, finishing back in the circle.

Lisa Greenleaf was calling a Contra Holiday in Medieval England in Ely, Cambridgeshire.  The crowd were Americans, so there was no problem about people being left out because they didn't have a regular partner — except when it came to the final waltz.  George Marshall had got round this the previous year by ending with a circle mixer in waltz time, to share the men around somewhat amongst the spare ladies.  Lisa wanted to do the same, so she contacted me and I emailed her all the waltz-time circle mixers in my repertoire.  A couple of days later I decided I ought to write one specifically for the group, which I did.  But Lisa didn't call it — she said they were too tired to think by the end of the week so she stuck with easier dances.  She has since called it in the States however!  She notices that those who dance English are much better at the wide Petronella turn single.

Good Humour       

Dance and Music: Colin Hume.  Published 1990.

Format: Circle, men on inside

A1:	Do-si-do your partner.  Give right hand to your partner, left to the left-hand person: set right and left (smiling at each as you do so); change places with your partner, the man turning the lady under.
A2:	All that again, but the lady turns the man under (and you'd be surprised how awkward the men find that).
B1:	Figure eight movement: pass your partner right shoulder, go right shoulder all the way round the next.  Pass your partner left shoulder, go left shoulder all the way round the next.
B2:	Wave to your partner and pass left shoulder (men on the inside), walk past the next two; swing the fourth.

Written for a session at Eastbourne Folk Festival which had been labelled “Good Humour (or so)” — no doubt meant as an insult.  It's a fun dance — and if you're not enjoying your dancing, what on earth are you doing it for?

There is another tune called “Good Humour”, given in CDM 1 as the suggested tune for “Circassian Circle”.

Symonds Yat       

Dance and Music: Colin Hume, 2006

Format: Circle.

A1:	Circle left 6 steps; man cast, lady follow, man loop inwards and turn left to pick up partner with inside hand.  Lead back 6 steps; two-hand turn ¾ (home).
A2:	Circle right; lady cast, man follow, lady loop inwards and turn right to pick up partner with inside hand.  Lead back; two-hand turn ¾ and face the next (new partner).
B:	Pass new partner left shoulder, go right shoulder all the way round the next, go back past new partner left shoulder to face around the circle to original partner (11 steps).  On the anacrusis, step right and honour partner, then left; wide Petronella (turn single right while moving diagonally right) to finish with the man on the inside.
C:	On the left diagonal (new partner), left-hand turn.  On the right diagonal (previous partner), right-hand turn.  Back-to-back current partner; men gipsy left ¾ around partner while ladies move forward (towards the centre) and back, to meet new partner, back in the circle.

I run a House Party Weekend every November, organised by Mike and Gill Swash, and for many years this has been at The Paddocks Hotel in Symonds Yat, near Ross-on-Wye, Herefordshire.  The food and service are excellent, and there's a fine ballroom just down the stairs from the dining room.  The hotel is used by all kinds of dance groups.

The Valentine's Day Massacre       

Dance and Music: Colin Hume, 1986.

Format: Circle.

A:	All join hands, in to the middle and back.  Two-hand turn corner (gazing adoringly into his/her eyes).
B:	In to the middle and back.  Two-hand turn partner (gazing even more adoringly).
C:	Clap with partner Right, Left while turning single Right; clap Right, Left, pass on left shoulder to the next.  Clap with this one Left, Right while turning single Left; clap Left, Right, pass on right shoulder to the next.
D:	Balance and swing (new partner).

Written on Valentine's Day 1986.  I was booked to call a dance for the Beckenham and Croydon Folk Dance Club that evening, and two people independently challenged me to write a dance with this title.  The first half is slow and Playford-ish; the second half (the massacre) is faster and more violent.  People have great difficulty clapping while turning single, and even more problems in passing by the correct shoulder!